But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs. - George Eliot
因为真心付出总是换来背叛因一次次对自尊的打击导致对自我价值的怀疑无意中卡比利亚给自己筑了一堵泼辣粗鄙猜忌的外墙让人污得起反应的视频作为对表象背后用心叵测的回应与影星共度良宵的梦发过了神迹也寻求过了命运两难的是对她身处的残酷世界而言越抗拒任何善意和希望的可能便越‘安全’;而当她在剧院被催眠师催眠(‘操纵’)在一群陌生观众前展现出那个柔软的自己醒来后在惊愕中仿佛失了魂一样手足无措这一幕也隐喻了她随后的遭遇了最后一幕以一首Ma la vita continua的游吟伴唱再现费里尼的世俗‘神迹’对镜头凝视点头的瞬间仿佛是角色在向观众(自己)作出会继续守护善良和信念的承诺救赎不在外而在己在最脆弱中见最坚强;对别人她管自己叫卡比利亚但她知道玛利亚才是自己真正的名字
钢琴一直在背景中冷漠疏离帮助建构着这个故事/面对庞大的system有人不断尝试逃离有人视若己命(而最后都等到了反转);有趣的的是Mark阅读着他小舅子写的一本“鸡汤”文学便幡然醒悟接收不同的声音尝试思考和接纳便是system剥夺我们的权利而它已然剥离了生活的那部分;片头太绝了和不断出现的红蓝隐喻…You can severe the mind but not the emotions(md把第九集当成第八集看了还以为还有个结局我的天哪